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The idea of a woman enslaved to her lover has captured the imagination of millions and created bestsellers such as The Story of O, Carrie's Story and Fifty Shades of Grey. Award-winning editor and writer D. L. King pulls back the velvet curtains to reveal a world where every sexual fantasy is realized, a world driven by desire and the need to be dominated. These Slave Girls want nothing more than to be subjugated and owned in body and soul. Trained and tested to suit every sexual taste, these women learn the ropes — literally. King and her masterful eroticists offer the reader an immersive experience. These sexy, subversive stories of submission are from the very best eroticists including Alison Tyler, Sommer Marsden, and D. L. King herself.
- Sales Rank: #870919 in Books
- Model: 30046552
- Published on: 2014-05-13
- Original language: English
- Number of items: 1
- Dimensions: 7.75" h x 5.50" w x 1.00" l, .60 pounds
- Binding: Paperback
- 242 pages
Review
"A top selection of submission stories to tantalize anyone craving some darker, well-written smut."
—Library Journal
"This intense collection of 21 stories is less for ladies with fuzzy pink handcuffs and schoolgirl outfits, and more for those who are seriously into BDSM. King (Under Her Thumb) collects only the hardest and most extreme."
—Publishers Weekly
"Award-winning author and editor D. L. King has bound together an exciting erotic experience sure to tie you up for hours and hours."
—Sex in Words
"Kinky erotica that delivers what it claims to. BDSM and D/s relationships galore, this anthology is hot as hell."
—On Her Back
"A delightful book for those into or curious about BDSM!"
—Yolanda Shoshana
"The stories D. L. King has curated in Slave Girls are hot and dirty—and if you’ve been harboring a secret desire to submit, somewhere deep down inside your soul, this is a book that will make you tremble."
—Tamsin Flowers
"It's a delightful book for those into or curious about BDSM!"
—Yolanda Shoshana
"These hot new tales of female submission depict an array of ways women can and do submit to another person. By relinquishing power in a scene one is free to fully experience the now; they can feel the feels, taste the tastes, not to mention shiver in the unknown rushes of sensations ranging from pleasure to pain and back again."
—Geeky Nymph
"The scenarios in these stories, as well as in the collection as a whole, breathe life into tired tropes. There is humor and humanity in these pages, and I gobbled them up with the same fascination I felt watching Maggie Gyllenhaal in The Secretary for the first time. I love it when a collection makes me think or feel, and this one did both."
—Malin James
"These writers understand that the urge to obey, to be trussed up, to feel the unyielding sting of a quick cane across the backside, is as much about being in control as it is giving control to another."
—KD Grace
"The anthology is truly for those from all walks of life; from those simply curious about submission and all that comes with it to those already fully involved with and enjoying the 'scene'."
—Cara Sutra
"Forever in an electric dance of give and take, pleasure and power are inextricably linked."
—Creative Loafing Tampa
"Slave Girls: Erotic Stories of Submission, edited by D.L. King, played with every BDSM type kinky fantasy I’ve ever had and a few I didn’t even know about."
—Quixotic Orchid
"For those who love BDSM and erotic literature of this type, it’s a slam dunk addition to their erotic bookshelves."
—Leather and Lace Spice
"Pleasure and power come together in a world that is driven by females who are there to be of pleasure of the men/women who dominate them."
—Reviews by Amos Lassen
"An anthology dedicated to the erotic pleasure found within the act of submission. Slave Girls: Erotic Stories of Submission was just what I need on a rainy day, a literary delicatessen of kink."
—Kink Etc.
"Short stories centered on female submission."
—The Rainbow Hub
From the Back Cover
The Gift of Submission
Forever in an electric dance of give and take, pleasure and power are inextricably linked. In Slave Girls, award-winning eroticist D. L. King pulls back the velvet curtain to reveal a world where every sexual fantasy is realized, a world driven by women devoted to their own desires and their dominants. These Slave Girls want nothing more than to willingly relinquish control to the capable hands of the right Master. Trained and tested to suit every sexual taste, these women learn the ropes—literally. A hassle-filled day turns on a dime when a strong Dom takes charge in Victoria Behn’s “Hell-Bent for Leather.” In Giselle Renarde’s “Postcards from Paris,” one good girl lives for her daily dose of discipline and tough love. The thrill of being in service to a stranger compels the lust-filled sub in Rachel Kramer Bussel’s “Out of Sight.” Your own desires may surprise you after finishing the submissive exploits of Slave Girls.
About the Author
D. L. King is a Lambda Literary Award winner, two-time Independent Publisher Book Award (IPPY) gold medalist and one time silver medalist. She has edited a dozen anthologies and written stories appearing in more than six times that number. She is the author of two erotic novels and a collection of her own femdom stories. She publishes and edits the review site - Erotica Revealed (eroticarevealed.com). Find her at dlkingerotica.com and dlkingerotica.blogspot.com.
Most helpful customer reviews
8 of 9 people found the following review helpful.
D/s from the s' point of view
By Terrance Aldon Shaw
There's a lot of terrific writing in this abundant, sharply-focused theme anthology from editor D.L. King. "Slave Girls" is a collection of twenty-one surprisingly diverse short stories exploring the `s' in D/s, from the sometimes breathless, needy, longing, hungry, defiant, curious, occasionally reluctant, perpetually horny point of view of the submissives themselves. Several of these stories are undoubtable masterpieces of the subgenre: Alison Tyler's "Cubed"; Lisabet Sarai's "Muse"; "Dirty Pictures" by Thomas S. Roche; the beautiful, imaginative and poignant "My Master's Mark" by Lydia Hill; Erzabet Bishop's "The Red Envelope"; Teresa Noel Roberts' "Bridle Party". Nina Fairweather's "Press My Buttons" deftly explores the inner workings of a would-be submissive's mind. Equally impressive is the understated yet wholly ineluctable eroticism of Donna George Storey's Passing the Final. Not relying on kinks or paraphilic gimmickry, never descending into raunchiness or vulgarity, the aphrodisiacal potency of the writing is nonetheless undeniable. I particularly enjoyed Summer Marsden's stylish, character-driven, inward-probing "Breathe":
"Breathing is the first thing an anxious person forgets to do, and then they wonder why they feel as if they're drowning. Breathing is the first thing that Nick helped me with when our relationship went from part-time play-and-fuck-buddies to something more. He tells me what to do at times like this. I do it. It is simple and perfect as that. A mystical symbiosis on which words would be lost."
Clearly, what's good here is very good indeed. There are, however, a few issues with what I will diplomatically refer to as the "second-tier" stories in this collection; poorly conceived points-of-view; amateurish malapropism, a retreat to platitude and shallow stereotype, and a discouraging sense that some of these authors' hearts weren't in the project. Second-person point-of-view is infuriating when it isn't boring. Aside from the fact that I have no interest in being made a de-facto character in an author's story, the conceit doesn't--can't--work because the author doesn't know me, doesn't understand my motivations and desires, what turns me on or makes me tick. Second-person also lends itself to a kind of soporifically sing-songy backing and forthing "I do this/You do that" ad nauseum. Employ this kind of writing in erotica and what inevitably results is the literary equivalent of a checklist for an oil change. It was probably not wise to open the collection with a story written in second-person, though as with any anthology, readers are under no obligation to take the contents in the order of presentation, and may "skip around" at will.
Malapropism, if sufficiently glaring, can effectively put me off a story, especially if other issues have already gotten my attention. Authors, please repeat after me; "crescendo" does not mean "climax"; you don't "build up to a blazing crescendo"; the crescendo IS the building up. I was already sufficiently annoyed with one of the other stories not to overlook the author's use of `attenuated' when the word obviously ought to have been `acclimated'. Honestly, one can look this stuff up--and, clearly, many people need to.
Beyond these basic technical considerations, there are a few aesthetic and philosophical issues to give thoughtful readers pause. I have to admit that I am weary of power-exchange stories in which Domination is reflexively (and simplistically) equated with Sadism and, conversely, submission with weakness. There is, too often, an unarticulated assumption to the effect that submissive tendencies indicate a psyche that is less than whole, and submissives--especially female submissives--are accordingly portrayed as naive, airheaded pushovers, willing to be used, humiliated, and hurt beyond the point of reason and safety simply in order to feel loved and wanted. In fact, the best subs in fiction--and in life--are often plucky, strong-willed, fully actualized, "totally together" human beings who know precisely what they want, just as the best Doms know when to "try a little tenderness", lighten up and show due affection.
In addition to negative stereotypes, I got the impression that some of the authors here either had no real life experience on which to draw (or, perhaps, no life whatsoever), or were simply going through the motions of telling a steamy story without stretching their imaginations too terribly far. Is it possible to write convincingly about an act that doesn't really turn one on? An act one would never truly enjoy in real life? Some writers pride themselves on their imagined ability to work in any genre, slipping into the established modes of convention the way many people change clothes in the course of a day, but just as genuine passion always shines through, indifference renders even the most engaging subjects drab and tedious. I do not like having to read that kind of writing.
Still, on balance, the good and the great in this collection far outweigh the mediocre and the mundane. Highly recommended for its ample trove of gems.
8 of 9 people found the following review helpful.
Delightfully Boundary-Pushing
By Rebecca
I'm not the sort of girl who likes to use silky scarves for restraints, or thinks a gentle tap on the rear counts as a spanking. I like my kink intense, boundary-breaking, and maybe even a little shocking at times. Every page of Slave Girls was a page-turning, edge-of-my-seat experience, and I'd recommend it to anyone who enjoys their fantasies on the kinkier side of things. I can personally guarantee that this reading will inspire at least one new fantasy, and make for hours of reading pleasure, whether alone or with a partner. Doms, subs, and switches alike will love this collection!
8 of 9 people found the following review helpful.
Best of the Best Reading
By QuixoticOrchid
This book played with every BDSM type kinky fantasy I've ever had and a few I didn't even know about. Read every story with breath held and eyes wide open.
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